Michael Ray loves a good story. So, it’s only natural that when it came time to tell his own, he gravitated to country music.
“I feel like in music in general, but especially in country music, the storylines have always been the foundation,” he says. “No matter what changes may happen with the sound, I feel like when you listen to a song, no matter what walk of life you come from, you can really lose yourself in that song and put your own story to it.”
Maylee Thomas Band
From her early days as a gospel singer, to her legendary status as a texas diva, maylee transends genre, mixing gospel-based blues with a soul driven rock, touches of pop, with the very faintest caresses of country from time to time... and audiences respond. Maylee is the soul of texas and a must see act.
NOT UR GIRLFRENZ
"Everywhere I go the kids wanna rock"
A call to arms from rock legend Bryan Adams back in 1984 which high-energy, power pop trio, NOT UR GIRLFRENZ is making sure is still 100% true to this day! Barely in their teens, this all-girl, Texan rock outfit are here to prove they mean business - busting out show-stealing performances with their high-energy songs, which cleverly combine instant Pop Punk hooks with timeless old school songwriting.
6595 Virginia Parkway, McKinney, TX 75071 [MAP]
Located in McKinney’s Adriatica, a European development at the corner of Stonebridge Drive and Virginia Parkway behind Dr. Jennifer Buchanan’s orthodontic office. ADMISSION is $5.00 per person at the gate.
The Crest Cars.com Smiles Charity Concert is a rain or shine event. Please bring umbrellas if it rains and support our veterans and vendors.
PLEASE BE GENEROUS WITH YOUR DONATIONS! Your donations will build homes for wounded military heroes!
CASH, CHECKS, AND CREDIT CARDS WILL BE ACCEPTED!
$5 per person ADMISSION.
Food & Kids Area
There will be several food vendors throughout the evening and a kids area from 5 until 8PM.
There is no general parking on site except handicapped parking. Satellite parking with free bus service is available at Stonebridge United Methodist Church [MAP] and Crosspoint Church [MAP] (both located on Stonebridge Drive) and Genesis Church [MAP] located at 5780 Virginia Parkway from 4-11 pm.
Seating is first come first serve. You are welcome to bring lawn chairs and blankets. TENTS, BACKPACKS, COOLERS, PETS, FIREARMS, AND SMOKING ARE NOT ALLOWED.
ONLY ONE GALLON FREEZER BAGS, SMALL PURSES SIZED 6” X 6” OR VINYL CLEAR BAGS ARE ALLOWED.
One That Got Away
The small-town Florida native began to tell his tale on his 2015 self-titled debut album and scored two number one hits with “Kiss You in the Morning” and “Think a Little Less.” His dynamic sophomore album, Amos, named for his late grandfather and produced by the legendary Scott Hendricks (Alan Jackson, Faith Hill, Blake Shelton) picks up where that record left off, combining the vintage sounds he absorbed growing up with a contemporary polish that puts him at the forefront of a class of fresh young voices.
Ray runs the emotional gamut on Amos, from vulnerable ballads to boot-stomping rockers, showcasing a musical and vocal dexterity he has long admired in heroes like Tim McGraw and Keith Urban.
Current Top 5-and-climbing single “One That Got Away,” an optimistic mid-tempo smash that turns heartbreak into the fondest of memories, follows the imploringly poignant first single “Get to You,” a heartfelt plea for making a relationship work that utilizes Ray’s impressive vocal range, moving from a ruminative baritone to a tender falsetto croon. “Her World or Mine,” the album’s emotional centerpiece, breaks down the universal emotions of a break-up in heartbreaking and incisive detail. He turns up the tempo and the temperature with the pithy rocker “You’re On” and offers a slinky slice of wordplay with the whimsical “Fan Girl,” giving “Amos” a diverse feel that retains a cohesive whole.
Her World or Mine
Ray can’t remember a time without music.
Growing up in Eustis, he was surrounded by several generations of his extended family singing and playing songs. “My grandfather would sit around and teach me and my cousins how to play and sing harmony,” Ray recalls with a smile. “He wanted to put a guitar in everybody’s hand.”
Amos eventually formed a family band with Ray’s dad called the Country Cousins who played festivals and parties all through central Florida. Which is how Ray found himself steeped in the likes of Ray Price, Merle Haggard, George Jones, Loretta Lynn, Dolly Parton, and Jeanie Seely and onstage “when I was literally old enough to just be able to stand.”
At age 10, after beginning to learn guitar, Ray says, “I started playing every Thursday through Sunday with my grandfather in groups he was in. I learned a lot that I didn't know would help me where I'm at now.”
As he practiced, he began to take in the influence of a disparate group of contemporary artists, including everyone from Garth Brooks to Green Day. He was hooked and knew what he needed to do. “I switched my high school schedule so I could play bars and stuff on the weekends,” he says, and his grandfather backed him every step of the way. “He knew that I wanted to take it further than just playing bars and stuff in the hometown.”
And he did, beginning a several year stretch of paying his dues playing all around Florida and eventually expanding out to Georgia, Mississippi, Alabama and the Carolinas while picking up work teaching guitar lessons and installing phones. In between covers, from Keith Whitley to Snoop Dogg, Ray would slip in originals, building a name for himself as both a songwriter and performer.
Fortunately, Amos was able to enjoy some of his grandson’s success. “Florida radio was playing some of our stuff, so it was really cool for him to be able to hear that,” he says. “He sadly passed away two months before my Opry debut, but the Opry was kind enough to let me play ‘Green, Green Grass of Home,’ a Porter Wagoner song I used to play with him and I used the guitar that he played for sixty years.”
“I feel like this album is a big reflection of the last two years,” says Michael of the time between his debut and “Amos,” as he’s toured, recorded and enjoyed a taste of success. “I feel like I found my voice. And when I'm asked what made me get to this point, if you peel back all the layers it goes back to my grandfather.”
Ultimately for Ray, every song on “Amos” was processed through a filter of what it means for his live show, the place where he connects with his fans. Everything he learned from years of playing solo acoustic shows, bar band gigs and packed arenas opening for other acts has been poured into the time that he spends on stage— “That was my college,” he says. He takes a meticulous approach to crafting the night to maximize the connection between himself and the fans.
“A live show is a give and take from both ends. There's just this big tornado that takes everybody away from whatever's going on in their life, and just puts them in that moment. I believe when you're an artist of any sort, it's your job to make sure that tornado keeps its wind going all the way up to the very end of the show, so everybody goes, ‘What the hell happened? What a great night! We gotta go back and bring more people.’ I say it every night, ‘Tonight's about making memories. We'll take this night with us for the rest of our lives. Let's keep it going and make it something unforgettable. "
With the songs from Amos added to his arsenal, he is in a strong position to make good on that promise.